Interactive Chaos
C6 the group is notable for its experimental approach to creating art that often involves collaboration and the integration of various technologies. Their work frequently challenges traditional perceptions of art, pushing the boundaries of what can be considered a message and a media.
C6.org has engaged in numerous projects that span various disciplines, including interactive installations, web-based art, and public performance. Their work often emphasises community participation and engagement, inviting audiences to interact with the art in innovative ways since 1997.
Overall, C6.org represents a dynamic fusion of artistic expression and technological exploration, making significant contributions to the field of digital art and collaborative creative practices.
Manifesto
The work is made by the anonymous , alias’s are encouraged. Works are irreverent. Often aimed at capitalism and corporations and always the public. A sense of humour is essential to the works production and its experience.
A gift economy is created around an event with ephemera, button badges , stickers , zines. The publicity campaigns for these events are part of the work, often accompanied by localised graffiti
Works exist as cross media broadcasts online and in the real world.
Diverse methods of interaction often mean that experiences differ widely , threads are picked up and dropped before much of a pattern is ascertained becoming part of a background hum.
It is often the goal to make the interaction of the viewer/ participant part of the resulting work.
Feedback loops of interaction often forming dialogues off topic with the context of the work.
Chaos is encouraged and often achieved
Hopefully all the elements can be appreciated separately or collectively but either is valid.
We are sorry if your experience was a dissapointment, collaborations are often experimental and rarely guarantee success.
Due to its interactive nature we take no responsibility for the work you are experiencing.
There is no sub-culture only Subversion.
